181 – 200 of 231 Works in Mutual Pining

  • Mutual Pining ×
  1. That’s why it wasn’t right. They had been very clear when this started: no feelings, just fun. That was why they always left before the other woke up, and never mentioned it afterwards. But that day, Shane didn’t want to leave. He wanted to be selfish for once, to stay without running away. To curl up beside the other one and fall back asleep, to fool himself, even if only for a moment, into thinking that the fantasy he was living was real. So, thinking no one would ever find out, he did it.

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  2. Set after episode 2. Ilya goes to Montreal for work (he tells himself) and finds Shane at a gay bar, dragged there by his oblivious friends. ~ “Hollander,” Ilya said as low as he could. “How much have you had to drink?” “Probly… too much.” “And you do not want to come out publicly as gay, yes?” Drunkenly, Shane wiggled his head from right to left. “Y-yes—I mean, yes that—no, I don’t want—” His shoulders slumped forward, and Ilya’s heart shot into his throat as he glanced around. “I—I’m not ready yet.” “Brilliant of your fucking buddies to take you to a gay club then, yes?” “They don’t know, asshole.” OR “Goodbye, Rozanov,” Shane said, unlocking his door with the code and slipping inside. It was too hard to find the right English words for: Please let me in, because I can’t stay away from you. I’m a fucking asshole, like you say, and I came here to see you, to make sure you were okay, and I’m not done. I’m not done with you, so please, for fuck’s sake, let me in. So Ilya took the easier route. “Goodnight, Hollander.”

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  3. Shane Hollander forgets his marriage. Ilya Rozanov doesn’t forget how to love him. As Shane recovers from a concussion that fractures his memories, the life they built together resurfaces in quieter ways. Through routine, touch, shared space, and an intimacy that refuses to disappear. Love, it turns out, doesn’t always need memory. Sometimes, it just needs time. -------- tl;dr - Hollanov's Amnesia AU in which Shane's last memory is July 2010, a.k.a the first time they hooked up in Toronto after shooting the commercial. Problem is, it is 2022, and they have been married for almost a year, but Shane cannot remember the past 12 years of his life with Ilya.

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  4. “If you wanted to be more… dominant. With me. I would…” Shane was sure his flush was spreading away from his cheeks down his neck and towards his chest. “I would like that. I would really like that.” He was barely aware he’d screwed his eyes shut in flustered embarrassment until Ilya, after a moment of silence, murmured his first name again. Shane opened them, dragged his eyes towards the screen, and felt his mouth go dry. Ilya was rubbing his fingers thoughtfully against the seam of his plush lips. His eyes looked dark, lust obvious. “You like being submissive for me, Hollander?” Of fucking course Ilya would know that word. Ilya had another day left in Moscow. Shane couldn’t stop thinking about him. (Or, oddly enough, Wayne Gretzky.)

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  5. Ilya recalls his mother in fragments: her voice, gentle in his ear; her curls, warming his cheeks as she wrapped him in an embrace; the way her eyes crinkled, as she brushed his hair back and said, “You are getting so tall now, Ilyusha. What am I going to do about my very tall bear?” Ilya Rozanov has never belonged to anyone but himself. An Ilya character study, tracing canon events.

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  6. New Year’s eve as symbol for feelings, or, 5 imperfect New Year’s and 1 perfect one.

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  7. The Ford is a rusted-out red bucket, the tent is a mess of orange nylon, and the Norwegian woods are a lot steeper than they looked on the map. The wilderness doesn't care about NHL standings, and right now, it’s winning. For six years, Shane Hollander and Ilya Rozanov have lived in the quiet of hotel rooms and the heat of the game. But here, far away from the cameras and the crowds, their guard is finally starting to drop. Between charred sausages, a ruined pair of sneakers, and a leaking tent, they are running out of ways to hide from the truth. As the summer ends, they have to decide if they are brave enough to stop being rivals and start being something else entirely. The morning is quiet. The grass is grey with dew as they pull out of the driveway, the air cool enough to make Shane shiver. He’d insisted on renting this red Ford—a rusted-out bucket that he called "the authentic experience"—and it coughs as Ilya hits the street. Ilya looks at the dashboard like it’s a personal insult. Shane knows he’s thinking about his Ferrari. Shane watches Ilya’s profile in the dim light. He listens to the engine’s uneven beat and almost hopes the car just stops. A stall would freeze the world right here. It would keep them trapped in the smell of old upholstery and cold air, holding the moment still before the real world starts calling them back. A bottle of bug spray rattles in the door, breaking the silence. Shane reaches out to steady it and glances at the mess in the back seat. Tents, sleeping bags, and groceries are piled to the roof. It’s a disaster, honestly. They leave the city behind, passing quiet streets where only a few windows are lit. Shane leans his head against the glass. For six years, this is all they’ve had: fast, desperate nights in hotel rooms in cities like Detroit or Columbus. Quick sex after games where they spent an hour trying to smash each other into the boards. Even then, Ilya always made a point of pinning Shane down. Shane can still feel it if he closes his eyes: the silver cross Ilya wears dangling cold against his skin, and the sound of Ilya’s ragged breath in his ear. He loves it—the feeling of being held there by someone who actually can. Shane smiles at his reflection. He definitely has a thing for being pinned down. Lately, though, it’s been different. The hotel rooms turned into tuna melts in Ilya’s Boston apartment and long nights on his massive sofa. And Shane, being Shane, freaked out. He remembers storming out of Ilya’s place, stammering some lie about an early practice while trying not to see the hurt in Ilya’s eyes. Maybe Ilya can feel him starting to spiral again, because he suddenly reaches across the gearbox and takes Shane’s hand. The shift happened so slowly Shane didn't even notice. Ilya Rozanov—the arrogant Russian superstar who can score fifty goals or bruise Shane’s hips with the same ease—has become something else. Shane doesn’t have a name for it yet. He just knows he somehow ended up asking Ilya to come to Norway. He blames the drugs they gave him in the hospital after his last concussion. They were good drugs. He still remembers Ilya visiting him in that white, sterile room, his large hand brushing Shane's cheek. It was the only thing that felt real. Now, though, he’s stone-cold sober and terrified. Coming out has never felt like an option. Not in their world. The locker room is still a place where "faggot" is a punchline and any sign of being "soft" is a target. Even with guys like Scott Hunter leading the way, the fear is still there, eating at him. Every time he thinks about the flight back, a knot tightens in his chest. The new season is waiting for them, and the questions won't stop looping: What if Ilya decides this is too much work? What if the distance and the risk aren't worth it? Or worse—what if he stays, and ends up in a grey interrogation room back home because he’s been "corrupted" by a Canadian? It sounds like a bad Cold War parody, but the fear is real. Shane is most definitely freaking out. Again. Ilya strokes the back of Shane’s hand with his thumb. He meets Shane’s gaze, and his eyes are uncharacteristically kind. Fuck. Maybe it will be easier in the woods, away from the slurs and the cameras. He hopes so. Because when this car eventually turns back toward the airport, summer is over. The world will expect them to be rivals again. Just the thought of it makes it hard to breathe. *** “We should’ve bought the one that expands,” Ilya says. “Like fucking Transformer.” He sounds just as pissed off as he does after a missed breakaway in the third period. They’re parked at the base of a trail that goes straight up the mountain. The plan was simple: pitch the tent, look like they know what they’re doing, and start hiking before lunch. Instead, it’s a total disaster. This tent—bought during a rush of "we’re going to be outdoorsmen" energy in Oslo—is more complicated than any play Shane has ever seen on a whiteboard. Shane leans against the rusted Ford and just watches him. He can’t help but smirk. Ilya Rozanov, who can deke out the world’s best defenders, is currently losing a fight to a pile of orange nylon. His hair is a mess, and he’s somehow managed to tangle a cord around his ankle like a trap. For a guy who spent the whole flight acting like a mountain was just another challenge to beat, Ilya looks exactly like what he is: a prince from Moscow who grew up in five-star hotels. He knows as much about the woods as Shane knows about Russian opera. In the NHL, someone else handles everything. Someone else books the flights, carries the bags, and makes sure the towels are warm. Out here, there’s no PR team to make their incompetence look like "grit." “The box said it’s a four-man tent,” Shane says, holding the manual. It’s written entirely in Norwegian. “Only if those four men are very small,” Ilya mutters, “and have no personal boundaries at all.” He gives the fabric a shove and looks up at the grey peaks and the endless trees. “Seriously, Hollander. You bring me to the edge of the world just to prove we are both idiots?” “I think we bought a garden ornament,” Ilya adds, kicking a pole. “Not a shelter.” “Maybe it’s a test,” Shane says. It’s the kind of empty encouragement he usually uses in the locker room when they’re down by three. “If we survive the tent, we might survive the trip.” That arrogant grin flickers across Ilya’s face—the one that’s way too charming to ignore. It makes it hard for Shane to keep his guard up.

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  8. the lucky one by

    Heated Rivalry (TV)
    • M
    • ✓

    2025-12-29

    Tomorrow, he'll call Shane and apologise. He'll fix what he broke. He doesn't want Shane to be angry at him anymore. He doesn’t remember swerving to avoid a merging truck. He also doesn’t remember hitting the tree. Or: Ilya gets into a car accident. Shane is there to pick up the pieces.

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  9. Summer at the cottage was supposed to be relaxing. It turns into everything but—when Ilya drops “I could marry Svetlana” for an american visa like it’s a grocery list item. Shane’s face says over my dead body while Ilya, delighted, teases him for looking ready to commit “murder-suicide.” (He’s not wrong.) Shane Hollander has one big problem: he can’t let Ilya Rozanov marry anyone else. Not now. Not ever. So he does the unthinkable and proposes the most boring solution imaginable almost by accident. / Canon-Divergence /

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  10. Shane releases what feels like his first exhale in forever—Ilya Rozanov, taken out by the common flu. Not ignoring him. Not ending anything. Still, the knot in his chest doesn’t ease completely with the vision of Ilya unwell and alone in Shane’s head. JANE Are you at your house? LILY Where else, Jane? JANE Don’t fall asleep. I’ll be there soon. LILY No, am sick. I told you. JANE I heard you. I’ll be there soon. Or, Ilya’s sick and Shane wants, and wants, and wants.

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  11. The heart monitor Ilya is standing next to starts beeping really quickly. “Hey, why is this going crazy? Is this normal? Should I call for the nurse?” Shane giggles, his eyes tearing up. “No, it's not normal. But it's you, so…” He inclines his head and tucks his and Ilya's joined hands somewhere under his ear. “It's my heart, Ilya.” He croaks, his voice painfully scratchy. He points with his other hand at the monitor that is still beeping fairly fast. “It goes crazy because of you.”

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  12. When Shane and Ilya meet at a club between the 2011 All Stars Game, and Ilya teases Shane by calling him "his good friend Shane Hollander," suddenly Shane gets an idea... Things may be easier if they were seen as friends instead of bitter rivals. What if Shane and Ilya become public friends years before canon.

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  13. “Rozy—shit,” he manages, voice strangled, want bubbling molten and inescapable in his gut, hips trembling with the force of not rudely bucking up into Rozanov’s warm, far too talented mouth. Because I just wanted you to fuck me, he thinks after he’ s finished making Shane unravel with soft, unforgiving motions, as Rozanov—as Ilya—laves his tongue hungrily over the mess dripping down the planes of his abdomen, blinking overwhelmed tears away from the diminuendo of pleasure. But then I became greedy. And now all I want is for you to love me. Or: despite the initial fear, the world doesn't end when Shane Hollander realizes he loves Ilya Rozanov. Now, he just has to convince Ilya of that same truth. An adjusted timeline. A collection of moments. A story about completing someone, despite the odds.

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  14. “You’re being difficult.” “I am not being difficult, Hollander, you are the one being difficult and annoying.” “I just don’t see what the big deal is,” Shane had his phone pressed between his ear and his shoulder as he moved around his kitchen, making breakfast, “It’s not like it’s some kind of classified information.” “Is just not important,” Ilya said evasively, and Shane could hear the sound of his fridge opening on the other end. “I think your birthday is very important,” Shane said stubbornly, setting his glass down a little harder than he meant to, so that it clacked against the countertop, “I don’t know why you’re acting like this about it.”

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  15. “Ilya?” Shane calls, and Ilya spins around to see Shane holding the most damning thing he could’ve found in Ilya’s suitcase—that damned Montreal Metros hoodie. “This is mine, isn’t it?” Ilya freezes. “Eh?” “How do you have this? I thought I’d lost it ages ago.” There’s no good way for Ilya to say the truth, which is that: you left it at my house in Boston after you broke my heart for the first time and I kept it so I could wear it occasionally and jerk off while thinking about you when I thought I would probably never be able to have you again and it was the last bit of you I could have, so Ilya settles for the next best thing, which is: “It… it is not yours.” Shane shoots him an unimpressed look. Ilya is really struggling with the fact that he wants to keep Shane forever and steal his clothes and leave dumb hickies on him and wake up to him in the morning. He's working on it.

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  16. Shane Hollander is everything the NHL wants him to be: a Golden Boy, a captain, a rivalry- ready face of the league. Ilya Rozanov is everything Shane isn’t allowed to want: sharp-tongued, unapologetic, and devastatingly magnetic. From a charged first collision to a decade of stolen nights, staged girlfriends, and a rivalry that burns hotter than hate ever could, Shane and Ilya build a love that survives only in hallways, hotel rooms, and the spaces where cameras can’t reach. But some ghosts don’t fade quietly—and some loves refuse to stay secret forever. A story about ambition, fear, glass walls, and choosing each other even when the world says it’s a disaster.

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  17. Shane’s got to balance being a freshman, a baby gay, and rushing for the weirdest frat on campus. Plus, unrelatedly, there's this really hot Russian guy.

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  18. An alternate universe in which Shane brings Rose to Tampa. Ilya isn’t jealous. No, really. He’s not. Or, a bit of canon-divergence for the sake of some extra angst and dom/sub Hollanov.

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  19. Ilya can’t believe his eyes. There is a huge twenty-foot-tall photo of his— of Shane Hollander in a pair of Calvin Klein briefs giving the camera his “come fuck me” look. Or, Shane does a Calvin Klein campaign, Ilya has feelings about it.

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  20. When Ilya walks out of the hospital room after visiting Shane, his warnings don’t go far. Shane only lasts so long before he is spilling earnest words to the nurse about his most recent bedside visitor, Ilya Rozanov.

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