61 – 70 of 70 Works in No Smut

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  1. Shane opens his mouth a few times, like he tries to get words out without succeeding. “But it hurt you too,” he says finally. “You just wanted to check on me, your fucking boyfriend, after I got hit. And I pushed you away.” Usually, hearing Shane refer to himself as Ilya's boyfriend sends a warm shiver down his spine. But now, with that almost venomous voice, the shiver is instead cold as ice. OR, Shane gets injured during a game and Ilya is once again forced to see him unmoving on the ice. Neither of them handles the aftermath well.

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    AO3:
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  2. Ilya and Shane reflect on the past. OR: Time didn’t quite heal old wounds. Spoilers for The Long Game specifically. But also random spoilers for other books too, probably. I don’t know I read them all at the same time and now my brain can barely differentiate what happened when.

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  3. Everything was on the verge of spiralling; he had felt that rush of familiarity—a distinct feeling he experienced just before everything went badly. A pattern. Everything had felt off. He'd woken up this morning with a terrible headache and a familiar heaviness in his chest. In which Shane Hollander has the worst day ever.

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  4. You are okay, I got you by

    Heated Rivalry (TV)
    • T
    • ?
    • ✓

    2025-12-24

    Shane sub drops and texts Ilya the "we didn't even kiss" and then Ilya helps him :)

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    AO3:
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  5. An A/B/O secret nesting fic. The 5 times Shane steals clothes from Ilya and the 1 time he gets caught, plus his reaction. Inspired by the staircase scene where Shane is holding onto Ilya's hoodie :)

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    AO3:
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  6. “You’re wearing a hole in my floor,” he says. “Sit down.” He expects pushback. A look. A quip. Instead— Shane stops." or Shane is anxious and overwhelmed, and has a meeting with Ilya near the beginning of their not-relationship, and it doesn't go as expected. Ilya is surprised to discover just how quickly and easily Shane goes under for him, when he isn't really trying, but is more than happy to care for him.

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  7. Shane doesn’t say he’s overwhelmed. He never does. He shows up instead—later than planned, jaw tight, movements clipped like every second is being audited. His bag lands by the door with more force than necessary. He stands there for a moment too long, as if waiting for instructions he hasn’t been given. Ilya clocks it immediately. “Hey,” he says gently, already closing the distance. “Come here.” Shane shakes his head once, sharp. “Just—give me a minute.” Ilya gives him thirty seconds. Then he takes Shane’s wrist—not tight, not demanding—and guides him further into the apartment. “Shoes off,” he says, voice calm, certain. “Jacket too.” or Ilya takes care of an overwhelmed and overstimulated Shane by letting him float away into subspace for a bit. Shane doesn’t say he’s overwhelmed. He never does. He shows up instead—later than planned, jaw tight, movements clipped like every second is being audited. His bag lands by the door with more force than necessary. He stands there for a moment too long, as if waiting for instructions he hasn’t been given. Ilya clocks it immediately. “Hey,” he says gently, already closing the distance. “Come here.” Shane shakes his head once, sharp. “Just—give me a minute.” Ilya gives him thirty seconds. Then he takes Shane’s wrist—not tight, not demanding—and guides him further into the apartment. “Shoes off,” he says, voice calm, certain. “Jacket too.” Shane exhales, something brittle easing. He does as he’s told. Good. Ilya takes the bag, sets it aside. He steers Shane toward the couch, presses him down with a hand on his shoulder. “Sit.” Shane sits. It’s small. It’s nothing. But it’s also everything—permission to stop managing, to stop anticipating, to stop being the one who has to decide what happens next. Ilya disappears into the kitchen and comes back with a glass of water, sets it in Shane’s hands. “Drink.” Shane does. His hands shake just a little. Ilya sits beside him, close enough that their thighs touch. He doesn’t ask questions. He doesn’t ask Shane to explain. He just starts grounding them back into the same room. “Phone,” Ilya says, holding out his hand. Shane hesitates. Then he hands it over. Ilya puts it face‑down on the table, out of reach. “Good.” Shane swallows. His shoulders slump, just barely, like a structure being allowed to fail safely. “I didn’t realize how loud it was,” Shane says finally, staring at nothing. Ilya nods. “It gets like that.” He shifts, pulls Shane gently but firmly against him, Shane’s back to Ilya’s chest. He wraps his arms around Shane’s middle, solid and warm. Shane stiffens for half a second out of habit —then melts. Ilya rests his chin on Shane’s shoulder. “You don’t have to think right now,” he murmurs. “I have you.” Shane’s breath shudders. “I don’t know what I need.” “That is okay,” Ilya says without hesitation. “I do.” He adjusts the blanket over them. Turns the lights lower. Presses a slow, steady rhythm into Shane’s side with his thumb, counting breaths Shane doesn’t realize he’s following. Minutes pass. Maybe more. Shane leans back fully now, trusting the weight behind him. “You’re good at this,” he says, voice soft, almost surprised. Ilya smiles into his hair. “You let me be.” Shane is quiet for a long moment. Then, barely audible: “Thank you.” Ilya tightens his arms, just a little. “Anytime.” Later—much later—when Shane’s thoughts have slowed and the world has shrunk back to a manageable size, Ilya asks one more thing. “Stay?” Shane doesn’t hesitate this time. “Yeah.” And for once, he doesn’t feel like he’s choosing. He feels like he’s being taken care of. Ilya doesn’t move for a long while. He waits until Shane’s breathing has evened out, until the tension has fully drained from his shoulders. Only then does he speak again. “Okay,” he says quietly. “Next thing.”

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  8. “You don’t like cars or clubs or women but you saw my documentary where there is only that?” “I mean… yes,” Shane shrugged, feigning nonchalance. He was the very opposite of nonchalant about possibly everything in life. “I don’t like cars or clubs, but I like you.” There, he said it. He liked Ilya Rozanov. OR: Shane decides to stay after Ilya makes his famous tuna melts. Life ensues.

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    AO3:
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  9. “Geno says that you’re hanging out with Ilya Rozanov.” Crosby says, and Shane’s heart drops down to the pit of his stomach. Oh fuck. What does Geno know. What does the team know. What does Sidney Crosby know.

    Or, Sidney Crosby calls Shane Hollander to the Winner's Room.

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    AO3:
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  10. “That’s wild, man. That is just weird.” Yannic paused. “You really think someone speaks Russian but is hiding it from you and just using it to do nice things for you?”

    “Well, that is the question. Why would anyone do that? Why not just say they speak Russian?” Rodion had been wondering this all morning.

    … … … …

    A side story wherein Shane accidentally reveals that he speaks Russian while still playing for Montreal, which results in a cat and mouse game with a minor leaguer.

    OC Rodion Tsetsov - Laval Arrows minor league center called up to replace a player.

    Language:
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    AO3:
    #70903346
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